Adriana Cavarero: A più voci Filosofia dell'espressione vocale

Ho to opera singers provide a crucial counterhistory one n which the embodied voice triumphs over the My Father Left Me Ireland immaterial semantic Reconstructing this counterhistory Cavarero proposes a politics of the voice wherein the ancient bond between Logos and politicss reconfigured and wherein what matters Antisemitism is not the communicative content of a given discourse but rather whos speaking.

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The human voice does not deceive The one who Stumbling Giants is speakings Sabrina Corina inevitably revealed by the singular sound of her voice no matter what she says We take this fact for granted for example every time someone asks over the telephone Whos speaking and receives as a reply the familiar utterance It's me Starting from the given uniueness of every voice Cavarero rereads the history.

Of philosophy through Anabella Giggles All Night! (Annabella its peculiar evasion of this embodied uniueness She shows how this history along with the fieldst comprehends such as linguistics musicology political theory and studies Patient Safety Ethics in orality might be grasped as the devocalization of Logos as thenvariable privileging of semantike over phone mind over body Female figures from the Sirens to the Muses from Ec.

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Adriana Cavarero teaches philosophy of politics at the University of Verona Italy and is a visiting professor at New York University Her field of research includes classical modern and contemporary thought with a special focus on the political significance of philosophy Two main concerns shape her approach to the Western philosophical tradition First the 'thought of sexual difference' a t